Kalimat, Kalimat

Month

December 2011

10 posts

FRKTL - "Tahrir"

DOSSIER: New Media

FRKTL - Tahrir by shbadr

Music Wednesdays — A fantastically talented producer and Egyptian musician residing in the UK, Sarah Badr a.k.a. FRKTL uses live instruments, field recordings, and innovative production and performance methods to create cinematic, emotionally intense sound-scenes. Moving back to Egypt after the Egyptian revolution, this work seems to reflect her new-again surroundings and the emotional state(s) that would accompany many events that have taken place.

Also, remember our Winter 2012 podcast is still quite fresh!

Isma3oo No.4 - WINTER 2012 by Kalimat

Dec 28, 20114 notes
#Dossier: Culture #music wednesdays #sarah badr #tahrir #egypt #electronic #production #music
Podcast—Isma3oo No.4, Winter 2012 edition!

DOSSIER: New Media

Isma3oo No.4 - WINTER 2012 by Kalimat

Music Wednesdays — A special treat for you! With our quarterly magazine comes a podcast, Isma3oo, for your listening pleasure.

In this edition, we features a talk by Creative Director and Editor Danah Abdulla given at the “Artistic Arabs in America” event in Washington DC on issues with education and cultural production (particularly in the Arab region); an exploration and commentary of issues with Arab music; a song by an artist featured in this issue (Rash Radio), and a sneak preview of an upcoming project by Kalimat (which promises to be a lot of fun): Remixaat.

As before, if you have any content of your own to submit for future editions of Isma3oo (new music, interviews with interesting people, good ideas that need to be shared), reach out to info@kalimatmagazine.com

You can subscribe to the podcast on iTunes (finally! here: itunes.apple.com/ca/podcast/kalimat-isma3oo-listen-up/id474859256) on SoundCloud (www.soundcloud.com/kalimat) and on the magazine site here: www.kalimatmagazine.com/isma3oo-no-4-winter-2012

Enjoy!

Dec 21, 2011
#Dossier: New Media #Winter 2012 #Isma3oo #no.4 #podcast #Kalimat
Dec 21, 20116 notes
#egypt #design #egyptian design
LACOSTE: NO ROOM FOR PALESTINIAN ARTIST

DOSSIER: Art+Design

French fashion brand demands the removal of Bethlehem artist Larissa Sansour from major photographic prize.

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The prestigious €25,000 Lacoste Elysée Prize is awarded by the Swiss Musée de l’Elysée with sponsorship from Lacoste, the clothing brand. 

Larissa Sansour was among the eight artists shortlisted for the 2011 prize. In December 2011, Lacoste demanded that her nomination be revoked. Lacoste stated their refusal to support Sansour’s work, labelling it ‘too pro-Palestinian’. A special jury will convene in January 2012 to select the winner.

As a nominee, Sansour was awarded a bursary of €4,000 and given carte blanche to produce a portfolio of images for the final judging. In November 2011, three photos for Sansour’s Nation Estate project were accepted, and she was congratulated by the prize administrators on her work and professionalism. Sansour’s name was included on all the literature relating to the prize and on the website as an official nominee. Her name has since been removed, just as her project has been withdrawn from an upcoming issue of contemporary art magazine ArtReview introducing the nominated artists.

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In an attempt to mask the reasons for her dismissal, Sansour was asked to approve a statement saying that she withdrew from her nomination ‘in order to pursue other opportunities’. Sansour has refused.

Sansour says: “I am very sad and shocked by this development. This year Palestine was officially admitted to UNESCO, yet we are still being silenced. As a politically involved artist I am no stranger to opposition, but never before have I been censored by the very same people who nominated me in the first place. Lacoste’s prejudice and censorship puts a major dent in the idea of corporate involvement in the arts. It is deeply worrying.”

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Sansour’s shortlisted work, Nation Estate, is conceived in the wake of the Palestinian bid for UN membership. Nation Estate depicts a science fiction-style Palestinian state in the form of a single skyscraper housing the entire Palestinian population. Inside this new Nation Estate, the residents have recreated their lost cities on separate floors: Jerusalem on 3, Ramallah on 4, Sansour’s own hometown of Bethlehem on 5, etc.

Regretting Lacoste’s decision to censor Sansour’s work, Musée de l’Elysée has offered to exhibit the Nation Estate project outside of the confines of the Lacoste sponsorship. Musée de l’Elysée is based in Lausanne, Switzerland. The Lacoste Elysée Prize 2011 is the award’s second edition.

Dec 20, 201120 notes
#Dossier: Art+Design #Palestine
Jay w Ray7a (Coming and Going) Huda Asfour هدى عصفور

DOSSIER: New Media

Music Wednesdays — Huda Asfour is a Washington-based oud player, and from what we’ve been hearing, she is quite talented. The clarinet, buzuq, and percussion gives it a contemporary-classical feel, but what caught me here was the clean and separated production, the dynamics, and those unusual, layered vocals.

http://soundcloud.com/asfoura/jay-w-ray7a

Dec 14, 20119 notes
#music wednesdays #Dossier: New Media #oud #Jay w Ray7a #coming and going
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Dec 9, 2011
Dec 8, 20111 note
#Dubai #uae #Dossier: Culture
Egyptian digital archivists

DOSSIER: New Media

Music Wednesdays — Musical archiving has become an almost common activity amongst the digital Arab generation. Whether the motivations are out of preservation, or out of nostalgia, we find that there is a fascination with collecting and sampling sometimes neglected or inconsequential works from our popular music past and presenting them to a new generation of listeners and—potentially—samplers and editors.


A sweep of SoundCloud yielded this gem by the raucous Bahr Abu Greesheh. 

سمارة by foula

Dec 7, 20111 note
#Dossier: New Media #archivist #Egypt #music wednesdays
Afterthought by Karim Mekhtigian

DOSSIER: Art+Design

In preparation for the release of our upcoming Egyptian Design issue, Founder and Chief Designer of Alchemy Design Studio Karim Mekhtigian will be preparing readers with weekly posts about, well, design!

image

Well, after a month of blogging and posting references of my work process, I thought it would only be fair to end this series by putting it all into clear steps. I started analysing the different phases I go through to define the pattern behind this creative process but I got overwhelmed with one thought: “my country is in the middle of a social/political/intellectual crisis and I am talking about design…”

However, in the light of the recent events I find myself thinking about the origin of the current situation and I am faced with the following conclusion: “the problem is that we are unable/incapable to effectively communicate on every level - so we end up lost in translation”. 

While some might argue that the power to change might be in the power to communicate, in the middle of this communication crisis I find comfort in knowing that design can be a great tool of self-expression and story telling. On that thought, I am tempted to think of design as a way to communicate the incommunicable and I ask myself: “in the midst of these events, should we (design professionals) speak now or forever hold our peace?”

So until our next meeting, I leave you with this final thought: “I can’t change the direction of the wind, but I can adjust my sails to always reach my destination”- Jimmy Dean

Dec 5, 20111 note
#Dossier: Art+Design #Egypt
Play
Dec 4, 20113 notes
#Dossier: Culture #New York City #London #film
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